Object no. 04 — The composition table
Two garments, shot flat and true. Turn them on the table, press a dye through the fabric, then nudge the fit until the proportions agree with each other. Nothing here is a mannequin — it is closer to opening a very good box.
Look No. 001
Scale 1∶4 · natural
Bomber
Cargo
Notes from the atelier
Every piece on the table was shot the same way a tailor would lay it before cutting — flat, squared to the light, nothing propped or pinned into a pose it wouldn't hold on its own. What you nudge here is the actual photograph, not a rendering of one.
Each tint is a real filter run against the real garment — the same grain, the same seams, the same fall of shadow, just carried through a different bath. Nothing here is a flat color swapped in behind the fabric's back.
Size sets the frame; the fine controls are for the last five percent — the part a size chart never quite settles. Worn together, two honest sizes can still sit at odds with each other, and that's worth seeing before it's worth owning.
Object no. 04 of an ongoing series. Every measurement on this table was taken from the garment itself.
